The show’s stunt coordinator was the one who made the series’ limited network TV budget go the furthest. “I didn’t think it was fair for the other actors to work with nonactors.”īut one stuntman in particular stands out as one of the great Spidey performers: Fred Waugh. “I always wore the suit if there was a scene interacting with other actors,” he recently told The Hollywood Reporter. And yes, Hammond DID wear the costume when stunts weren’t required. He cut a trim and athletic figure in the suit, too. Hammond gave us a charming, even dignified Peter, who still had to deal with the “ol’ Parker luck” even though he never had to battle any of the comics’ costumed baddies. In his late 20s when he was cast, Hammond’s Peter was a grad student and freelance photographer who felt very much in line with the Spider-Man comics of his era. ![]() Nah, we all love Nicholas Hammond as the first live action Peter Parker in 1977’s far too short-lived The Amazing Spider-Man TV series. Or maybe you were just really drawn to his brief performance as Sam Wanamaker in Quentin Tarantino’s Once Upon a Time in Hollywood. Or perhaps sitcom fans of a certain generation know him as Doug Simpson, the big man on campus who Marcia Brady has her eyes on before a football mishap involving her nose in a 1973 Brady Bunch episode. Maybe you know him as Friedrich Von Trapp in 1965’s The Sound of Music. While Spidey Super Stories might not be the first thing that fans associate with the wall-crawler in live action, and the shorts are a curiosity for modern audiences, Seagren deserves his place in history. Before the first show, I had spent some time trying some things to do with my body so that I would have a repertoire of Spider-Man moves.” So I had some moves and a grace, which is important because Spider-Man has a grace about him, slinking around. Plus, I was a professionally trained dancer. “I was a fan of Spider-Man and I had seen the animated series, a lot. “I had a number of Spider-Man poses and a distinctive way I would shoot the web (that resembles an underhand pitch),” Seagren recalled in an interview with 13th Dimension. ![]() Played by puppeteer and dancer Danny Seagren in a comics accurate costume, Spidey was never shown as Peter Parker, and never spoke a single word, instead communicating via onscreen thought bubbles for the audience to read. Told in live action comic book style, Spidey Super Stories was meant to further the show’s mission of helping pre-teens learn to read. In 1974, they acquired the rights to Spider-Man from Marvel Comics, and used him for a series of comedic skits called Spidey Super Stories. The Children’s Television Workshop created The Electric Company in 1971, a show meant for kids who had outgrown Sesame Street but could still benefit from learning about reading skills in fun ways. ![]() The first live action Spider-Man came from a place you might not expect: an educational series from the same people behind Sesame Street. For that reason, we’ve decided to look back at the most renowned wallcrawlers and reexamine what each one brought to the table. Truth be told, there have only been a handful of Spider-Men, and each has left a strikingly distinct and unique spin on the old Web-Head. When the web is slightly widened to encompass television, the number of live-action Parkers increases, but they’re comparatively obscure. Despite it seeming like a new Spider-Man movie is coming to theaters every year-and to be fair that’s not too far from the truth-just three actors have played the character in live-action on the big screen. And the power of getting to don Peter Parker’s beloved red and blue tights has been bestowed only on a few. With great power comes great responsibility.
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